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Paris Couture Week sees Fendi showcasing minimalist futurism and paying tribute to Karl Lagerfeld.

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Highlights from Maison Margiela’s dramatic androgyny to Fendi’s futuristic ode to Karl Lagerfeld marked the closing of Paris Couture Week on a high note.Paris Couture Week

Paris Couture Week by khabar time
Fendi paid respect to the late Karl Lagerfeld and presented a mesmerising display of minimalist futurism as Paris Couture Week came to an end. Stars such as Zendaya and Reese Witherspoon caused gridlock and hysterical struggles to see artistic director Kim Jones present a remarkable collection with frothy, organic fringe within the opulent Palais Brongniart. It embraced an optimistic mindset while also honouring the past.Paris Couture Week
Here are some highlights of Thursday’s fall couture displays:

KIM JONES’ GEOMETRIC ODE, SANS FUR

“I was thinking about Karl Lagerfeld’s futurism,” Jones began, laying the groundwork for a collection in which emotion, structure, and lightness all blended together beautifully. However, Jones chose to emphasise the human form rather than the exotic furs and feathers of his opulent predecessor’s era, which are quickly falling out of style. It resulted in a rather understated but deliberate presentation that made sure every piece of clothing highlighted the individual rather than overpowered them.

The performance began with a new silhouette that resembled a box and had precise geometric designs in silk gazars. refined beading graced gowns with harsh, minimalist hemlines, a refined departure from the brand’s fur-heavy past. A new type of fur with an all-over fringe that resembled feathers debuted, sure to appeal to increasingly socially conscious couture buyers. Jones appeared to be stating that sensitive humanism, not animal pelts, is the foundation of his vision for Fendi’s future.Paris Couture Week

Every garment displayed the skill of Fendi’s ateliers, demonstrating a mastery of fabric manipulation, tailoring, and embroidery. When crystal fringe on tulle sleeves blended effortlessly with clutch bags to create a trompe l’oeil look, it became an incredible fashion achievement. It was the pinnacle of the collection, with the appearance of fabric, human flesh, and crystals merging into one in a sci-fi future.Paris Couture Week

A fashion insider compared the collection, rather wryly, to a place the Kardashians would prefer to name heaven. Even while the designs referenced the grandeur of couture, their execution was distinctly modern. Jones was boldly entering a less extravagant, more sophisticated future while adhering to the norms of the Rome-based firm.

MARGIELA’S THEATRICAL ANDROGYNY AND BURLESQUE DRAMA

Under the skillful leadership of John Galliano, Maison Margiela’s spring couture changed the runway into a place where androgyny and burlesque collided in a striking amalgam of the past and present. The avant-garde show’s combination of harsh historical corsetry, theatrical Zorro masks, and a bold parody of gender stereotypes expanded the limits of haute couture.

Paris Couture Week

An excessively tight corset covering a bare torso adorned a male model for the collection’s first look. With hyperbolic hourglass forms fashioned into sheer clothing, abstract, windswept hair, and nearly scaffolding constructions, the exaggerated proportions persisted, producing a style that was at once otherworldly and firmly anchored in historical design.

Galliano’s love of mixing the modern and the vintage was on display in this menswear jacket that had a street urchin feel from the 1930s. Another outfit that resembled Oliver Twist’s Artful Dodger included checkered pants, a textured brown jacket, a Dickensian collar, and a hat. The model wore it all together with a dramatic scowl.Paris Couture Week

The delicious drama of a Nancy-like character straight out of the Victorian novel was captured by an enveloping hat and a textured golden coat gown; this kind of theatricality was a reoccurring pattern. The distinctions between art, performance, and fashion were all blurred.
With a female model proudly exposing nudity with visible nipples and pubic hair while wearing an invisible corseted structure, the presentation took a controversial turn. In addition to pushing the boundaries of fashion design, this remarkable ensemble makes a strong statement about the human form and how it is portrayed in contemporary fashion.Paris Couture Week

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